Shake the Bard Theatre Company - Home Page
Shake the Bard Theatre Company - The Company
Shake The Bard Theatre Company - The Plays
Shake the Bard Theatre Company - Education
Shake the Bard Theatre Company - Get Involved
Shake the Bard Theatre Company - Extras
Jennifer Trustem as Kate in William Shakespeare's "The Taming of the Shrew"
 
Laura Montagna as the Widow in William Shakespeare's "The Taming of the Shrew"
 

Follow the quill to a new vision for Humboldt County
Taming of the Shrew Reviews
Shake the Bard's summer production 2006
Redwood Park

The Bard's comedy among the redwoods
Roxie Hebson For the Times-Standard
Eureka Times Standard


Shakespeare -- his works just seem to endure. The themes he explores are timeless.

Evidence: New York Times columnist Maureen Dowd recently wrote an editorial entitled, "How to Train a Woman." The article suggests methods for both women and men to train their mates. To train a man, women may consider using similar methods as those used by exotic animal trainers. Namely, ignore bad behavior and reward good behavior. Men, on the other hand, may use intimacy and face-to-face compliments to train a woman.

Shakespeare's "The Taming of the Shrew" addresses just such a dilemma. Namely, the challenge one character faces in his quest to "tame" his mate. In this case, Petruchio aims to tame the ill-tempered Kate, otherwise known as a "shrew."

Nestled among the towering redwoods of the Arcata Community Forest, the Arcata Recreation Division presented an outstanding performance of Shakespeare's "The Taming of the Shrew." The setting seemed quite appropriate for a play by a towering figure among all playwrights.

"The Taming of the Shrew" is one of Shakespeare's earliest comedies. It sparkles with the wit typical of the Bard. Set in Padua, Italy, the play takes place in an age in which marriage was essentially an economic institution. Many a parents' main concern in life was to see their child well-married. In "The Taming of the Shrew," a father, Baptista, seeks to marry off his two daughters. While the younger daughter, Bianca, is a gentle-natured beauty, much sought after by the opposite sex, the elder daughter, Katherina (Kate) is a contemptuous, ill-natured beauty, much avoided by the opposite sex. Baptista insists that Bianca may not marry until a match is made for Kate, a seemingly impossible challenge.

Enter the clever Petruchio. Petruchio will stop at nothing to tame the fierce Kate. In him, Kate has finally met her intellectual equal, a man who does not cower to her scornful ways. The methods Petruchio employs to tame her would today offend many. However, lest we take it too seriously, let us remember that Shakespeare did intend this play as a comedy and it should be enjoyed as such.

Meanwhile, Bianca is in search of true love herself. It seems she may have found the love she seeks in the charming, intelligent, Lucentio. However, the two must work around the nuisance of Bianca's two other suitors, Gremio and Hortensio. With characters in disguise and the occasional outrageous costume, "The Taming of the Shrew" is both clever and uproarious.

To name commendable acting performances, one has to mention nearly the entire cast. Jennifer Trustem as Kate was superb. Any time a character has to make such a profound transformation, it presents quite a challenge to the actor. However, Trustem handled her character's transformation with great skill. She was completely convincing first, as a woman you would never want to cross and second, as a loyal wife. The other lead actor, David Hamilton in the role of Petruchio, was utterly persuasive as the sharp-tongued wit and was particularly enjoyable to watch.

Jabari Morgan, in the role of Lucentio, has the first speaking part in the play and immediately commands the audience's attention. His voice, resonant and clear, seems to be designed to read the words of Shakespeare. Bianca's suitors, Gremio and Hortensio, played by Jim Buschman and Craig Klapman respectively, were both brilliant in their roles. Newcomer Genaro Calabrese was spot on in the role of the nobleman, Vincentio.

The directors did change a few things from Shakespeare's original. Notably, the role of Baptista is performed by a woman, the marvelous, Kathy Marks. This casting added several moments of humor to an already hilarious story-line.

Additionally, Andrew Jordan as the servant Gremio and Dawn Hudson as Bianca both did an excellent job. I loved Eric Rez and Gina Montagna as servants, Grumio and Biondello. Both have an outstanding comedic sense and were scene-stealers. All of the younger actors, David Carr, Jeffery Venturino and Marco Montagna performed admirably and are off to excellent beginnings in their acting careers.

Reading the cast biographies one finds a mix of seasoned stage veterans and inexperienced novices. It is to director Linnea Conway's credit that such a diverse cast blended so seamlessly. Not only did the performance feature stellar acting performances, it is a true community event, giving an opportunity for young, inexperienced actors to perform alongside more experienced actors.

While the set was simple, it was beautiful and effective at communicating the feeling of an Italian villa. The brilliant play, excellent acting and beautiful setting made for an immensely enjoyable evening.

I enjoyed the performance so much, I would love to go back and watch the entire play again. Who knows, I just may learn some good "taming" techniques.

Performances of "Taming of the Shrew" will continue every Thursday, Friday and Saturday evening at 7 p.m. through August 12th, with Sunday matinee performances on July 30th and August 6th at 2 p.m. All performances will be held at the Arcata Community Park.

 

The 'Shrew' has arrived
Beti Trauth / Beacon Correspondent
Humboldt Beacon

Shakespeare's boisterous, bawdy take on the battle of the sexes, "The Taming of the Shrew," is taking no prisoners in a wonderfully entertaining outdoor production now being staged in Arcata's beautiful Redwood Park.

This always engaging classic comedy marks the 29th annual Shakespeare-in-the-Park summer show that has been presented by the Arcata Recreation Division; and, this particular effort, overall, has to be considered one of their best.

Artistic Director/Producer Linnea Conway has been at the helm of the company (now called "Shake the Bard") for the past 11 years, and she's assembled a captivating cast of community actors who collectively capture the joyful essence of one of Shakespeare's most popular and audience-friendly creations.

Even if you're basically "iambic pentameter illiterate" when it comes to the challenge of understanding Shakespearean dialogue, you'll have no problem following either the conversation or the action when it's as broadly portrayed as it is in Conway's approach to the material.

She has pushed all of the characters to their melodramatic limits to emphasize the universal aspects of the situations. No subtlety here, even though there are many emotional layers to the work that can be successfully uncovered by a skilled, professional company. However, that's often not the point when it comes to mixing and matching a wide range of experience and abilities in a community theatre production; making it a successful ensemble effort is what it's all about. And, this "Taming of the Shrew" accomplishes that!

Most notably, the two main players are up to the task of carrying off their roles with energetic style: David Hamilton's dashing, devilish, utterly chauvinistic Petruchio is sheer delight; and Jennifer Trustem is more than a spitfire match as the cantankerous shrew, Katherina (best known as cranky Kate).

The plot takes place in Padua, Italy. It revolves around the custom faced by wealthy resident Baptista Minola (Kathy Marks) of marrying off her notoriously outspoken oldest daughter, Kate (who scares off all suitors), so that her considerably more charming youngest girl, Bianca (Dawn Hudson), can be wed to one of her many admirers.

The three gallants vying for her hand are Lucentio (polished newcomer Jabari Morgan), Tranio (Andrew Jordan in his Park debut), and Hortensio (Park veteran Craig Klapman). They employ every devious means to cozy up to Bianco while waiting for her older sister to be wooed and won by some "brave" future husband.

Enter the fortune-hunting Petruchio from Verona; he'll gladly take on even a shrew as wife in order to well pad his pockets with gold. In the process, he tames this hellcat into a purring kitten -- or does he?

One of Kate's final speeches in the play chastising other wives for not bending to their "lord and masters' wills" has long been debated over the centuries as "bended-knee truth" or "clever, female fiction." Humm. You be the judge. In any case, you'll just have to go to see this spritely "Shrew" yourself to enter the discussion about "Early Women's Lib." You'll be glad you did!

Bouquets go the rest of the ensemble of young and old who make it all happen: Jim Buschman as Gremio; Gina Montagna as Biondello; Erik Rez as Grumio; Jeffrey Venturino as Curtis; Genaro Calabrese as Vincentio; Laura Montagna as Widow; Tim McDermond as Pedant; Marco Montagna as Servant/Officer; David Carr as Servant/Tailor; Ed McDermott and Violet Szabo as Servants; and Meghan Walsh (Bianca's understudy) and Kathryn Trustem (Baptista's understudy).

Special kudos are also in order for the production staff -- especially to production designer and actress Hudson, for creating a great, new look for the existing set piece. Using warm Mediterranean tones to paint it has given the show a sunny, visual Italian boost. So has the lovely lovers' fresco added by artist Rosalie Thomson. And, all of the company's period costumes add beautifully to the Tuscan illusion.

More applause goes to the rest of the hard-working crew that includes Assistant Director/Producer/Actor Rez, Production Manager/Actress Montagna, Set Construction Builder Andrew Jordan, Running Crew Jared Zito, and Acting Coach/Actor/Live Musician Klapman -- whose choice of "appropriate contemporary tunes" interwoven into the action makes the production even more fun for the audience.

All in all, this "Taming of the Shrew" in Arcata's Redwood Park is a madcap Shakespearean summer romp that you won't want to miss. It continues on Thursdays, Fridays and Saturdays at 7 p.m. (with a couple of Sunday matinees at 2 p.m.) through Aug. 12. Call 822-7091 for ticket prices and information.

 

Eyeing a 'Shrew'
http://www.eurekareporter.com/ArticleDisplay.aspx?ArticleID=13286
by Laura Provolt, 7/25/2006


Director Linnea Conway said she envisioned her Shakespeare in the Park production of William Shakespeare's "The Taming of the Shrew" in an Italian setting.

"We chose the 'Shrew' because it is so funny, and we wanted to do a comedy," Conway said, during an interview before Saturday's performance. "I focused on an Italian culture. We researched Italian clothing and history of the time period. We made all our own costumes and the set."

Shakespeare in the Park is offered annually by Arcata Parks & Recreation. The show takes place at Arcata's Redwood Park. Audience members sit on bleachers in front of a small, outdoor stage surrounded by redwoods.

Due to the open-air nature of the theater, the audience experiences a backdrop of the sounds of birds chirping and sometimes the creak of the swing set in the nearby playground.

"The Taming of the Shrew" is one of the most popular Shakespearean plays. As it deals with gender roles, jealousy, love and money, it is relevent to all time periods, especially today.

Baptista (Kathy Marks) is a wealthy older Italian widow, with two daughters -- the sweet young Bianca (Dawn Hudson) and the older, shrewish Katherina (Jennifer Trustem).

Bianca has many suitors, but Baptista will not allow Bianca to marry until Katherina has found a husband.

Bianca's jealous suitors convince Petruchio (David Hamilton) to woo the Shrew.

Petruchio welcomes the challenge (and the dowry), and eventually manages to convince Katherina to accept the role of obedient wife, rather than cruel old maid.

"I play a lot of villains," Hamilton said, before the performance. "You begin to see that every character has a reason to do what they do and that from their perspective, they are in the right. Petruchio is by no means a villain. He is perhaps the most honest of the suitors. He is in it for the money and he is honest about it. He comes right out and says it from the start."

Although it appears on the surface that Petruchio has broken Katherina's spirit, he has taught her that it is easier to catch flies with honey than with vinegar.

"Petruchio is loud and bombastic and Katherina is harsh and fierce," Hamilton said. "But when the two extremes come together, they neutralize the fuel that drives their extreme behavior. In my opinion, they have the soundest relationship in the play, because it is a relationship founded on mutual respect and honest understanding."

This production included 20 actors and 14 staff. It took the company three months to prepare, Conway said.

The stage was illuminated by overhead hanging string lights and two torches and live music was produced by actors Laura Montagne (Widow) on piano and Craig Klapman (Hortensio) with steel drums, as well as Erik Rez (Grumio) playing the guitar at the beginning and end of the production.

For the Saturday night performance, the actors carried out the play seamlessly. The emotions and actions seemed natural, from Lucentio's (Jabari Morgan) infatuation with Bianca to Katherina's fierce anger.

The actors are a wide range of age and experience, including five adolescent performers.

Jeffrey Venturino, who played Curtis, will be in the 8th grade next year and this is the third time he's been involved in Shakespeare in the Park.

Venturino said that he likes Shakespeare for the speech and the complex plot lines.
He would like to have a role in "Richard the III" someday, he added.


Season Proudly Underwritten by Plumbers and Steamfitters; Local 290

Website design and maintenance by David Hamilton Design
Website Designed and Maintained by
David Hamilton Design
Updated July 12, 2007